Kaleidograph derived from Ancient Greek Kalos – “beautiful”, Eidos - “that which is seen: form, shape” and Graphe – “drawing, writing”.

© Emma Leslie 2012

© Emma Leslie 2012
bottom far left sold.
Kaleidograph derived from Ancient Greek Kalos – “beautiful”, Eidos - “that which is seen: form, shape” and Graphe – “drawing, writing”.
© Emma Leslie 2012
© Emma Leslie 2012
bottom far left sold.
this… (#9) | © Emma Leslie 2012
sold.
RA4 portrait | © Emma Leslie 2012
RA4 Portrait Profile | © Emma Leslie 2012
You push my buttons | © Emma Leslie 2012
I can see the inside you | © Emma Leslie 2012
I know how you like it | © Emma Leslie 2012
That’s how we roll | © Emma Leslie 2012
Come with me | © Emma Leslie 2012
I like it with the lights off | © Emma Leslie 2012
Under your spell | © Emma Leslie 2012
Your vitals are steady | © Emma Leslie 2012
“I think the interesting thing about photography is you’re trying to capture that moment because you want to hold onto it, this vision, this view you see that’s encompassing you, so you’re using photography as an attempt to capture, but then there’s something interesting when you look at that photograph in a different place and time; it conveys another place, a third meaning. That’s what I’m trying to do with my work, using physical or structural components to bring that third element in so it’s not really here nor there, and make it more present at the moment of viewing. I think it fills a gap. I’m really drawn to sculpture, and as a viewer I think it has a lot of possibilities and potential, so I’m really trying to mix the physical presence of an artwork with an image.” – Letha Wilson 2011
Inunnguaq of Whistler Mountain (used by the First Nations people of British Columbia) | © Emma Leslie 2010
Axel Hütte is a German contemporary landscape photographer. Hütte is part of a generation of German photographers that includes Thomas Struth, Thomas Ruff, and Andreas Gursky, who have been influential in the creation of this unique photographic aesthetic. His photographs follow a strict objective approach devoid of narrative and yet evoke emotive qualities with poetic sensibility.
Culled, but still one of my favourites.
Untitled | © Emma Leslie 2011
You are not forgotten.
Untitled (the colours of canada) | © Emma Leslie 2010
I discovered artistic expression through photography and have been trained as a media specific artist. However, driving my Honours research is the realisation that my long affinity with materiality is challenging the limits of my medium and changing the way I want to communicate artistically. How do I make the transition from photographer to a non-media specific visual artist?
Scan of scrunch print | © Emma Leslie 2012
Grid – Install Experiment | © Emma Leslie 2012
Corner – Install Experiment | © Emma Leslie 2012
Another Corner – Install Experiment | © Emma Leslie 2012
Floating Grid – Install Experiment | © Emma Leslie 2012
Match and Clash – Install Experiment | © Emma Leslie 2012
Awkward Fit – Install Experiment | © Emma Leslie 2012